
Could Nana be the one who planted this forest of platitudes in my brain, where it silently germinated until the moment when stop that right now, we told you that word is inappropriate, and it's even more inappropriate to sing it repeatedly as a catchy jingle so that your brother remembers it and repeats it in the Fives Room at preschool, so if we hear it again it means we have a listening problem, and it means that at some point I must have unwittingly memorized a book titled "Empty Threats for Desperate Weenies." All I know is that if we don't start improving our rule following we're going to start examining why we say everything in the first-person plural, because we sure seem afraid of the implications of saying that it is you who have upset me and that I have decided to enforce a boundary that might cause you unhappiness, and that's why you're going to lose Switch for a week, or at least I'll hide MLB: The Show under an old nasal-strip box in the nightstand and then forget where I put it. Sticker chart.
Diese Geschichte stammt aus der December 04, 2023-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der December 04, 2023-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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THE FRENZY Joyce Carol Oates
Early afternoon, driving south on the Garden State Parkway with the girl beside him.

UPDATED KENNEDY CENTER 2025 SCHEDULE
April 1—A. R. Gurney’s “Love Letters,” with Lauren Boebert and Kid Rock

YOU MAD, BRO?
Young men have gone MAGA. Can the left win them back?

ONWARD AND UPWARD WITH THE ARTS BETTING ON THE FUTURE
Lucy Dacus after boygenius.

STEAL, ADAPT, BORROW
Jonathan Anderson transformed Loewe by radically reinterpreting classic garments. Is Dior next?

JUST BETWEEN US
The pleasures and pitfalls of gossip.

INHERIT THE PLAY
The return of “A Streetcar Named Desire” and “Ghosts.”

LEAVE WITH DESSERT
Graydon Carter’s great magazine age.

INTERIORS
The tyranny of taste in Vincenzo Latronico’s “Perfection.”

Naomi Fry on Jay McInerney's "Chloe's Scene"
As a teen-ager, long before I lived in New York, I felt the city urging me toward it. N.Y.C., with its art and money, its drugs and fashion, its misery and elation—how tough, how grimy, how scary, how glamorous! For me, one of its most potent siren calls was “Chloe’s Scene,” a piece written for this magazine, in 1994, by the novelist Jay McInerney, about the then nineteen-year-old sometime actress, sometime model, and all-around It Girl Chloë Sevigny.