Can you smell the negative ions?" The novelist Richard Powers and I were sitting on the banks of a river in the Great Smoky Mountains, and I could scarcely hear him above the water crashing against the rocks. The sound was both violent and serene, like being trapped inside a white-noise machine. These collisions, he said, release negative air ions, electrically charged particles with beneficial health effects.
Sometimes he liked to wade into the river and sit among the rocks, letting the cold water pound his body. I took a deep breath, and the air did, indeed, smell fresher. Was I experiencing a surge in my serotonin levels, or am I just impressionable? Before I could decide, Powers was on to the next wonder. "Do you know your trees?" he asked.
Powers moved to the Great Smoky Mountains while writing "The Overstory," which tried to reduce our "human exceptionalism." His new book, "Playground," centers on the ocean.
Since the nineteen-eighties, Powers has built a reputation as a novelist of unusual intellectual curiosity and rangeas interested in probing the frontiers of technological innovation as in expanding the possibilities of fiction. He's written prize-winning, best-selling novels about computing, virtual reality, neuroscience, and nonhuman forms of consciousness, often focussing on the process of discovery and invention.
Diese Geschichte stammt aus der September 16, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der September 16, 2024-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”