By the time of his announcement, Cornejo was becoming a star on Instagram, where he posted videos of himself singing and strumming his guitar. But, unlike many Instagram kids, he hardly seemed like a kid at all. His specialty was plaintive love songs, delivered in a voice that suggested he was already starting to suspect that romance might be more trouble than it was worth. Not long after he quit school, he released “Está Dañada,” the lament of a boy hoping to make an impression on a hopeless girl. “Está dañada del amor / No siente ningún dolor,” he sang—“She’s damaged by love / She doesn’t feel any pain”—emphasizing the sentiment by enveloping himself in reverb and bending his notes downward, as if he were literally melting with heartache.
Diese Geschichte stammt aus der July 08, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der July 08, 2024-Ausgabe von The New Yorker.
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HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.