"Jacob Javits of New York is the first United States senator to become fully automated," the Chicago Tribune announced in 1962 from the Republican state convention in Buffalo, where an electronic Javits spat out slips of paper with answers to questions about everything from Cuba's missiles ("a serious threat") to the Cubs' prospects (dim).
"Mr. Javits also harbors thoughts on medical care for the elderly, Berlin, the communist menace," and more than a hundred other subjects, the Tribune reported after an interview with the machine.
Javits may have been the first automated American politician, but he wasn't the last. Since the nineteen-sixties, much of American public life has become automated, driven by computers and predictive algorithms that can do the political work of rallying support, running campaigns, communicating with constituents, and even crafting policy. In that same stretch of time, the proportion of Americans who say that they trust the U.S.government to do what is right most of the time has fallen from nearly eighty per cent to about twenty per cent. Automated politics, it would seem, makes for very bad government, helping produce an electorate that is alienated, polarized, and mistrustful, and elected officials who are paralyzed by their ability to calculate, in advance, the likely consequences of their actions, down to the last lost primary or donated dollar.
Diese Geschichte stammt aus der November 11, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der November 11, 2024-Ausgabe von The New Yorker.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”