“I don’t really know how competitive I am by nature, because if you can’t consciously acknowledge something you can’t see where you are in relation to it.” I wrote this sentence to an acquaintance with whom I was having a long e-mail exchange about Elena Ferrante’s novel “My Brilliant Friend,” which follows the early phase of an intense, lifelong, and highly competitive relationship between two Neapolitan girls in postwar Italy. Like a lot of things one dashes off in e-mails, the sentence isn’t strictly true: I can acknowledge when I’m competitive, particularly in a professional situation—but the acknowledgment is muffled, half suppressed. The competitiveness always takes me by surprise, coming, for example, in the form of a sudden sneaky urge to best someone in a minor contest that means very little. Upon “winning” in such situations, I feel a satisfaction that embarrasses me, or sometimes remorse; upon losing, a petty bitterness that is also embarrassing. Either way, I generally don’t let myself experience the feelings for long.
Diese Geschichte stammt aus der February 12 -19, 2024 (Double Issue)-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der February 12 -19, 2024 (Double Issue)-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”
