Patrick Mackie’s “Mozart in Motion” deftly reframes familiar pieces.
Music has its seasons, and people have their needs. At some point in the autumn of 1979, I became obsessed with a few bars of Mozart. I was thirteen, fundamentally cheerful but convinced I was fundamentally melancholy, and ravenous for all the music I could get my hands on, especially music that made me tearful. My father, a man who in later life would think nothing of driving forty miles on his own to hear Bach or Beethoven, had recently seen the English pianist Clifford Curzon in concert, playing Mozart’s last piano concerto, No. 27 (K. 595). I didn’t know the piece, but I knew about Curzon. My father collected pianists and their performances. Curzon had studied with Artur Schnabel and Wanda Landowska, and, above all, Curzon was English, and in those days you could feel almost patriotic about famous English musicians.
Diese Geschichte stammt aus der May 29, 2023-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der May 29, 2023-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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YULE RULES
“Christmas Eve in Miller’s Point.”
COLLISION COURSE
In Devika Rege’ first novel, India enters a troubling new era.
NEW CHAPTER
Is the twentieth-century novel a genre unto itself?
STUCK ON YOU
Pain and pleasure at a tattoo convention.
HEAVY SNOW HAN KANG
Kyungha-ya. That was the entirety of Inseon’s message: my name.
REPRISE
Reckoning with Donald Trump's return to power.
WHAT'S YOUR PARENTING-FAILURE STYLE?
Whether you’re horrifying your teen with nauseating sex-ed analogies or watching TikToks while your toddler eats a bagel from the subway floor, face it: you’re flailing in the vast chasm of your child’s relentless needs.
COLOR INSTINCT
Jadé Fadojutimi, a British painter, sees the world through a prism.
THE FAMILY PLAN
The pro-life movement’ new playbook.
President for Sale - A survey of today's political ads.
On a mid-October Sunday not long ago sun high, wind cool-I was in Harrisburg, Pennsylvania, for a book festival, and I took a stroll. There were few people on the streets-like the population of a lot of capital cities, Harrisburg's swells on weekdays with lawyers and lobbyists and legislative staffers, and dwindles on the weekends. But, on the façades of small businesses and in the doorways of private homes, I could see evidence of political activity. Across from the sparkling Susquehanna River, there was a row of Democratic lawn signs: Malcolm Kenyatta for auditor general, Bob Casey for U.S. Senate, and, most important, in white letters atop a periwinkle not unlike that of the sky, Kamala Harris for President.
