I spent the summer of 2011 as an undergraduate researcher at the Rocky Mountain Biological Laboratory, in Colorado. My job was to collect burying beetles—necrophagous critters with wing cases the colors of Halloween—using traps made out of coffee cans and chicken flesh. Behavioral biologists are fascinated by burying beetles because of their biparental model of care: males and females prepare meaty balls from carcasses and then coöperatively raise larvae on them. I was a matchmaker, charged with setting up pairs of beetles and watching them co-parent.
That summer was a dream. I lived in a community of more than a hundred scientists, students, and staff. The research station, based at the site of a deserted mining town, was a magnet for weirdos and plant lovers, naturalists and marmot chasers, flower people and climate watchers. It consisted of dozens of cabins—some Lincoln Log style and more than a century old, others retrofitted into modern laboratories—encircled by spruce and aspen forests, montane meadows, and monumental peaks. I was more accustomed to sidewalks than to summits, but now I saw elk and black bears and woke up one night to a porcupine gnawing on my cabin. For the first time in my life, I found love, or something close to it. In spare moments, I retired to my room, where I drew and wrote in my journal. On the weekends, we scaled the Rockies.
Diese Geschichte stammt aus der September 16, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der September 16, 2024-Ausgabe von The New Yorker.
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HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.