JESUS, TAKE THE DIAL
RollingStone India|April 2024
Why is the radio so full of Christian rock? You can largely thank the Educational Media Foundation, the little-known nonprofit taking the devil's music off the air
KATIE THORNTON
JESUS, TAKE THE DIAL

LOOKING OUT THE studio window of the radio station where she'd worked for 29 years, DJ "Mistress Carrie" Sarao could see a crowd gathering outside. It was a Friday night, Feb. 21, 2020, and freezing, but that didn't stop hundreds of Bostonians from flooding the parking lot when they heard the news. There was no invitation, just an impulse, an impromptu meetup of loved ones known and unknown. At midnight, the city would lose its last rock radio station.

Debuting in 1970, WAAF helped launched the careers f local bands like Aerosmith and God-smack, and put national groups like Shine-down on the map. To many listeners, the station was as much a part of Boston as Fenway Park and clam chowder. WAAF was, Mistress Carrie's longtime colleague and fellow WAAF DJ Mike Hsu told me, a "local Massachusetts club of troublemakers and assholes." At big rock concerts, chants of "AAF! 'AAF!" were as common as feedback. Sometimes WAAF loyalists would come to blows with devotees of their onetime competitor - rock station WBCN - before the latter went off the air in 2009. For Mistress Carrie, a 51-year-old, purple-haired rock evangelist, WAAF was the soundtrack to her adolescence, as it had been for so many other Bostonians.

In the days leading up to the end, the mood at WAAF was somewhere between hospice care and a rowdy Irish Catholic wake. Old friends flooded in; listeners called with high-octane send-offs; Aerosmith's Tom Hamilton stopped by to pay tribute. But as the clock ticked toward midnight, there was a quiet in the on-air studio. Mistress Carrie's voice broke as she told her listeners to keep their heads high, shoulders back, and horns up. "We're goin' out proud," she said. "Because we were all part of something special." "It was awesome," Hsu replied solemnly.

Six minutes before midnight, Mistress Carrie and Hsu taunted the soon-tobe owners of their beloved station.

"There's only one way to go," Mistress Carrie said.

Diese Geschichte stammt aus der April 2024-Ausgabe von RollingStone India.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der April 2024-Ausgabe von RollingStone India.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS ROLLINGSTONE INDIAAlle anzeigen
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
RollingStone India

DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION

Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.

time-read
2 Minuten  |
November 2024
Get Closer: The Intimate Gaze of Films at NYFF62
RollingStone India

Get Closer: The Intimate Gaze of Films at NYFF62

A second intimacy arises between our lives and those unfolding on screen... and in setting their sights on exploring ordinary lives at close range, filmmakers at this year's New York Film Festival deepened that intimacy to great effect

time-read
10+ Minuten  |
November 2024
Meet the Women DJs Shaping Global EDM
RollingStone India

Meet the Women DJs Shaping Global EDM

For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.

time-read
4 Minuten  |
November 2024
Is India's Music Festival Season : Privilege Only Few Can Afford?
RollingStone India

Is India's Music Festival Season : Privilege Only Few Can Afford?

With soaring ticket prices, are Inda's music festivals slipping out of reach for the average fan?

time-read
4 Minuten  |
November 2024
Unpacking the Excitement and Inspiration of SXSW Sydney
RollingStone India

Unpacking the Excitement and Inspiration of SXSW Sydney

The festival underscored the essential role of music as a universal language shaped by local culture

time-read
3 Minuten  |
November 2024
How Earthgang Fought the Algorithm and Won
RollingStone India

How Earthgang Fought the Algorithm and Won

Atlanta duo discuss their new album, Perfect Fantasy, working with Pharrell and Snoop, and staying independent

time-read
10+ Minuten  |
November 2024
Foster The People: 'Fame can literally shorten your life-it's intense, and it gets in your head'
RollingStone India

Foster The People: 'Fame can literally shorten your life-it's intense, and it gets in your head'

We caught up with the iconic indiepop icon Mark Foster to talk 2024's Paradise State of Mind, creative influences, and the personal journey of an artist

time-read
10+ Minuten  |
November 2024
Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
RollingStone India

Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music

British art-rock band's vocalist-guitarist Jonathan Higgs talks about performing at Bandland 2024 in Bengaluru and having die-hard fans who'll talk to them about politics as well as personal stories

time-read
6 Minuten  |
November 2024
INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
RollingStone India

INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM

SPOTIFY IS PUTTING INDIA'S DIVERSE HIP-HOP VOICES AND REAL STORIES IN THE SPOTLIGHT

time-read
4 Minuten  |
November 2024
TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
RollingStone India

TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'

The singer reached a new peak when her song ‘Nasty’ went wildly viral. Now, Tinashe is energized and ready for more

time-read
4 Minuten  |
November 2024