THE SIGHT OF AMERICAN rockers Jane's Addiction's frontman and founder of Lollapalooza in 1991, Perry Farrell, at Mumbai's Mahalakshmi Race Course walking around the festival grounds like a proud father after U.S. rock outfit The Strokes headlined day two of the festival was quite something to behold.
OFarrell, who produces Lollapalooza with C3 Presents, teamed up with promoters and entertainment platform BookMyShow to bring the traveling music festival to Asia for the first time on January 28th and 29th, 2023. Although the event received some backlash for its lineup on social media when it was announced last year, that sentiment wasn't felt on ground last month from the thousands of festival-goers who attended it.
For a city that is always facing a space problem, Mumbai's Mahalakshmi Race Course was quite the find by the organizers. The best way to get to the venue was by train and once we did arrive inside, the sheer magnitude and size of the area was massive. With four huge stages, quite a trek away from each other (there was plenty of walking involved over both days), attendees needed to plan ahead as to which acts they wanted to see perform at either the BUDX Stage, Walkers & Co Stage, NEXA Stage or the Perry's X Budweiser Beats Stage.
We arrived on day one of the festival just as Pune soul/easy-listening group Easy Wanderlings were finishing their set for the opening slot at the event at the NEXA Stage and just in time to see post-rockers Aswekeepsearching kick things off at the BUDX Stage. The group's set featured songs such as "Reminiscence," "Maybe There," "Chasing Light" and "Rooh," and included backup singers Zoe Siddharth, Urgen Yolmo and Meg D'Souza as well as two dancers who joined the band for their performance. At this point, there was a sizeable crowd at 2.30 pm, with folks braving the Mumbai heat to make the most of Lollapalooza.
Diese Geschichte stammt aus der February 2023-Ausgabe von RollingStone India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der February 2023-Ausgabe von RollingStone India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
A second intimacy arises between our lives and those unfolding on screen... and in setting their sights on exploring ordinary lives at close range, filmmakers at this year's New York Film Festival deepened that intimacy to great effect
Meet the Women DJs Shaping Global EDM
For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
Is India's Music Festival Season : Privilege Only Few Can Afford?
With soaring ticket prices, are Inda's music festivals slipping out of reach for the average fan?
Unpacking the Excitement and Inspiration of SXSW Sydney
The festival underscored the essential role of music as a universal language shaped by local culture
How Earthgang Fought the Algorithm and Won
Atlanta duo discuss their new album, Perfect Fantasy, working with Pharrell and Snoop, and staying independent
Foster The People: 'Fame can literally shorten your life-it's intense, and it gets in your head'
We caught up with the iconic indiepop icon Mark Foster to talk 2024's Paradise State of Mind, creative influences, and the personal journey of an artist
Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
British art-rock band's vocalist-guitarist Jonathan Higgs talks about performing at Bandland 2024 in Bengaluru and having die-hard fans who'll talk to them about politics as well as personal stories
INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
SPOTIFY IS PUTTING INDIA'S DIVERSE HIP-HOP VOICES AND REAL STORIES IN THE SPOTLIGHT
TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
The singer reached a new peak when her song ‘Nasty’ went wildly viral. Now, Tinashe is energized and ready for more
