A year after he conducted the Symphony Orchestra of India (SOI) at Mumbai’s luxurious Jamshed Bhabha Theatre, maestro Zubin Mehta returns to the National Centre for the Performing Arts (NCPA) with a sense of satisfaction. “In the last concert, our program included Gustav Mahler’s difficult Symphony No. 1, Titan. The musicians did a wonderful job, and I wouldn’t have been here again if I wasn’t convinced of their abilities,” he says.
The 88-year-old Mumbai-born conductor, who had to postpone his original 2022 concert when doctors advised him rest, looks very exuberant before his first rehearsal. What’s challenging is that instead of popular composers like Beethoven and Mozart, or forms like the symphony and concerto, Mehta will lead a slightly offbeat selection this time. “After discussing with Khushroo N. Suntook [NCPA chairman] we decided to go ahead and okay the two Strausses,” says Mehta.
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Diese Geschichte stammt aus der August 2024-Ausgabe von RollingStone India.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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