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FIVE YEARS AFTER its previous instalment concluded, writer Dan Abnett and artist INJ Culbard are returning to Wild’s End. This Boom Studios series is set in Lower Crowchurch, an alternate 1930s English village occupied by extraterrestrials, whose inhabitants are all depicted as animals. Featuring a whole new range of anthropomorphic characters, the six-parter acts as a perfect jumping-on point, they say.
“With the first three volumes, we felt we’d very much told the story of the original cast and brought them to a relatively happy ending and a nice point of closure,” Abnett tells Red Alert. “It made sense to us to start ‘somewhere else’ with a new group and find out what happened to other people during the invasion. So it very much serves the ‘new start’ requirement, but also makes creative and dramatic sense to us.”
Diese Geschichte stammt aus der June 2023-Ausgabe von SFX UK.
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Diese Geschichte stammt aus der June 2023-Ausgabe von SFX UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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IN JUST TWO SEASONS OF SHOWTIME'S HIT HORROR series Yellowjackets, there's been a catastrophic plane crash, a wild wolf attack, several affairs, a lot of murders and two cannibalistic feasts.
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THE \"DOOR TO HELL\" IS THE UNLIKELY SETTING FOR ROMANCE IN THE GORGE. DIRECTOR SCOTT DERRICKSON EXPLAINS HOW HE MASHED MULTIPLE GENRES TOGETHER FOR HIS VALENTINE'S DAY ACTION-HORROR
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Charlie Cox talks wearing the horned cowl again...
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AFTER A TUMULTUOUS PRODUCTION, DAREDEVIL FINALLY RETURNS FOR HIS OWN SERIES. SFX MEETS THE TEAM BEHIND BORN AGAIN...
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Vincent D'Onofrio on Wilson Fisk's terrifying rise to power
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New sorcerer supreme Victor von Doom casts a spell on the Marvel Universe in One World Under Doom
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THE CREATORS OF THE POOHNIVERSE ARE BACK TO TWIST MORE CHILDHOOD TALES WITH PETER PAN'S NEVERLAND NIGHTMARE
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OZ PERKINS MARCHES TO THE BEAT OF HIS OWN DRUM IN STEPHEN KING ADAPTATION
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Invincible's executive producers promise a dark season of growth and angst
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IMAGINE IF IN HANS CHRISTIAN Andersen's The Little Mermaid, when its heroine is asked to trade in her voice for legs so she can woo her mortal infatuation on shore, she simply barked back: