HERE AT SFX WE’VE INTERVIEWED a universe of Doctor Who stars over the years. But it was a singular thrill to meet William Russell. Perhaps it was the fact he had been there at the very beginning. As schoolteacher Ian Chesterton he had been whisked from the classrooms and corridors of Coal Hill School into the wilds of time and space, abducted by a wary alien in possession of an impossible blue box. This was the man, after all, who had walked on Skaro, Marinus and Vortis and been knighted by Richard the Lionheart seven centuries before he was born. The magic of those early Saturdays still clung to him. To be honest we half-expected him to be in black and white, maybe even flickering slightly around the edges.
It was an apt time to meet someone from the primordial dawn of Doctor Who. The series was just about to return to prime time BBC One, reimagined for a whole new generation. At SFX’s suggestion the genial 80-year-old signed the VHS sleeve of “An Unearthly Child”, the first adventure, as a token of good luck for new showrunner Russell T Davies, mischievously adding “Don’t mess it up!” (historical footnote: he didn’t).
William Russell always seemed to fight shy of the limelight, never cashing in on his part in the creation of a TV legend. He was self-effacing, too. When we met him he was at the BBC Audiobooks studios in Bath, recording narration for a CD release of “The Crusade”, a story he had made in 1965. Asked what he thought of the performance by his younger self he grinned and admitted “I always think I’m terrible!” How wrong he was.
Here’s an extended version of the interview that originally ran in SFX in 2005, presented in tribute to the man whose sincere, charming and quietly heroic performance helped make Doctor Who a phenomenon.
How did you get the role of Ian Chesterton?
Diese Geschichte stammt aus der August 2024-Ausgabe von SFX UK.
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Diese Geschichte stammt aus der August 2024-Ausgabe von SFX UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS