It was a bloody victory for both Gordon and his sadistic captor John Kramer, the Jigsaw killer.
Kramer's twisted games have since inspired nine sequels, videogames, escape rooms and even a theme park ride.
To celebrate the milestone anniversary of the first Saw movie and the recent box office success of the tenth, Saw X, SFX joined three of the franchise's lead creatives - producers Mark Burg and Oren Koules, and editor/ director Kevin Greutert - to talk about Jigsaw's past, present and future.
"We're all a little shocked we're here - in a good way," says Koules.
"Mark and I are stunned that..." "...20 years later we're still making Saw movies," Burg finishes. "It's kind of surreal to be looking back on it," says Greutert. Saw marked the directorial debut of James Wan (The Conjuring, Aquaman). The entire movie was filmed in a converted warehouse in Los Angeles in 2003.
"They shot in chronological order," Greutert notes, "all the bathroom material first. The first day's dailies came in and you could tell it was cool, right there. It instilled a sense of dread in the audience, even from the raw footage.
"I didn't think it was going to be a big hit," he admits, "but I was very relieved that I'd signed up for something for four months which was at least going to be of high quality, even if it didn't get a notable release."
According to Greutert the response from the sound team to a screening of a rough cut was the first indication that they were onto a winner. "At the end when you see Jigsaw stand up, James poked me with his elbow and pointed to one of the assistant editors, whose jaw was hanging down onto his chest. He was so amazed and terrified at that moment. That was when we said, 'Wow, this is actually really effective."
Diese Geschichte stammt aus der January 2024-Ausgabe von SFX UK.
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Diese Geschichte stammt aus der January 2024-Ausgabe von SFX UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS