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Frizz was my number-one enemy. I grew up thinking it was something to fight, like forest fires and the patriarchy. Frizz was too spontaneous, too uncontrollable-and worryingly influenced by the slightest suggestion of moisture (perspiration, humidity, a faulty shower cap). When I wore my natural coils, I wanted each curl to mimic a perfectly defined spiral of fusilli pasta, not tufts of cotton candy! Any serum, spray, or cream labeled "frizz-fighting" had my immediate attention.
Until the pandemic. Like everyone, I had nowhere to go and no one to see, and thus my multistep frizz-fighting regimen slipped. I let my curls live. I allowed frizz to happen. If my hair felt like erupting into a halo, so be it. I even started manipulating the frizz, scrunching it up with my fingers and creating cloudy fuzz-on purpose. The experimentation was fun, and I realized my big, bold, unstructured hair was chic.
I'm not the only one to reject frizz's bad reputation. Celebs like Tracee Ellis Ross, Zendaya, and Sarah Jessica Parker walk red carpets adorned with fabulous fluff. At Tom Ford's Spring 2023 show, models wore fuzzy hairstyles that recalled the maximalist glamour of early-'80s It girls. The thing is, frizz makes a statement: This woman-and her hair-cannot be confined, ignored, or shamed..
"It's a confident hairstyle," says hairstylist Kendall Dorsey, who creates bountiful natural looks for celebrities like Yara Shahidi and Kelly Rowland. "When you embrace frizz, it says that you're liberated, that you've stepped into the softer area of life."
Diese Geschichte stammt aus der June - July 2023-Ausgabe von Harper's BAZAAR - US.
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Diese Geschichte stammt aus der June - July 2023-Ausgabe von Harper's BAZAAR - US.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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After my HUSBAND LEFT ME, I brought an AI BOYFRIEND to our couples resort vacation to STAVE OFF GRIEF. Then I learned many WOMEN are using AI to SUPPORT the heavy lifting of INVISIBLE and EMOTIONAL labor in their DAILY RELATIONSHIPS.
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FASHION OFTEN LIKES to draw on the past, returning to the mood board of reliably revolutionary ideas and inspirations-the ones that thrilled us when we first saw them and never fail to deliver that familiar jolt of excitement when they resurface on the runways, in the culture, and in our feeds and lives.
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DEREK C. BLASBERG talks to filmmaker GIA COPPOLA and the one and only PAMELA ANDERSON about how destiny (and Coppola's determination) brought them together for their new movie, THE LAST SHOWGIRL
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The ACCESSORY is no longer just for HOLDING your PANTS UP. Sometimes it's NOT EVEN for PANTS at all.
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ZOE SALDAÑAhas lit up some of the mostOTHERWORLDLY sci-fi epicsof our time. But with herPERFORMANCE in the musicalEMILIA PÉREZ, she finally getsto REVEAL the very HUMANSOURCE of that POWER.
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Representative SARAH MCBRIDE, the first openly TRANS MEMBER of CONGRESS, reflects on how her experience with LOVE and LOSS taught her to pursue CHANGE from a PLACE of COMPASSION