Despite having won an Emmy and a Golden Globe for his performance as the young Prince Charles in two seasons of The Crown, Josh O’Connor was a little surprised to be asked to comment on the coronation last May. “I’m the least qualified person,” he whispers when we meet for coffee near his home in northwest London a month later.
Aside from observing the way the future king walked and spoke, O’Connor arrived at The Crown’s nuanced portrait by considering Charles to be a fictional character, outlined in the script as a burdened man: resented by his father, trapped in a “grotesque misalliance” with a woman he doesn’t love, endlessly waiting for his life to take on the meaning for which it is destined. Still, the 33-year-old actor tends to be protective of the characters he’s played, and he couldn’t help feeling relief when the real Charles ascended to the throne. “I watched the highlights,” he says, “and I was glad he got to put on his expensive hat.”
O’Connor’s own hat today is a faded red baseball cap, under which his face creases readily into cheerfulness. He is six feet two—taller than you might imagine from some renditions of him onscreen—and his lean, supple frame somehow reinforces the sense of his gentleness. He is known to his friends for leaving funny, wrought, self-deprecating voice notes, and these can be imagined, pretty much, within minutes of meeting him.
Diese Geschichte stammt aus der September 2023-Ausgabe von Vogue US.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der September 2023-Ausgabe von Vogue US.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
Different Stages
A trio of novels spirits you far away.
The Wizard
Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.
THE SEA, THE SEA
A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Written in Stones (and Etched in Metal)
Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.
