AS a small child, Tess Newall would paint on the floor of her mother Sally Oyler's studio. Aged seven, she graduated to depicting a sun set on her bedroom wall, 'red at the bottom, and sponged to become yellow at the top. Turning that childhood whim into a highly successful business painting murals and furniture was well timed; the demand for Arts-and-Crafts-inspired decorative painting about which she is passionate is on the rise and, with it, what she describes as a 'positive shift in the value that people place on the handmade and the hand-painted.
The revival of murals, Mrs Newall says, also coincides with 'people being braver with colour'. Plus, she adds, 'people working from home want to feel that they are in a place that is inspiring and thoughtful. The problem is that the amount that any painter can produce is finite, so she recently launched her own collection of wallpapers and lampshades with a similar feel to those that she paints by hand. Her Folk Flower collection came about when experimented with a potato print, using only three motifs to create a pattern reminiscent of traditional folk decoration. The wallpaper has been traditionally surfacing printed, giving the texture and imperfection of the original artwork. Handmade lampshades with complementary trims complete the collection.
Diese Geschichte stammt aus der October 12, 2022-Ausgabe von Country Life UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der October 12, 2022-Ausgabe von Country Life UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
