A RAINY MORNING IN Manhattan's East Village. Celine Song, the director behind the celebrated A24 drama Past Lives, shows up wearing loose black slacks, a heather gray T-shirt, and a heavy black raincoat-a quintessential New York City uniform. As we settle onto a bench in Tompkins Square Park, an aggressive flock of pigeons suddenly swarms us like we're day-old bagels. We sit there for a moment, frozen, before bursting into laughter. "It's fully Hitchcock!" she says.
Song loves New York and all its bizarre unpredictability. Its under-current of creative energy, which she first tapped into after moving here well over a decade ago. "The way that I love this city is not the same as the way that a tourist might like it," Song says. "The way I love it is as somebody who lives here with the rats and the lanternflies." Her film Past Lives is, in many ways, a love letter to the city and its funny possibilities, as specific and true to life as Spike Lee's Do the Right Thing or Woody Allen's Manhattan. Since its Sundance premiere in January, the film has grown into a global art house hit, playing everywhere from Singapore to Serbia. In an entertainment industry obsessed with blockbuster IP, Song's surprise breakout is a rarity: a human-scale story about quiet adult emotions that's nonetheless expected to contend for best picture at next year's Academy Awards.
Diese Geschichte stammt aus der December 2023 - January 2024-Ausgabe von GQ US.
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Diese Geschichte stammt aus der December 2023 - January 2024-Ausgabe von GQ US.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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