ON A RECENT Wednesday morning, in a brightly lit photo studio in Chelsea, Nadège Vanhée is standing in front of a rack of clothing eating a croissant and catching the crumbs with an Hermès saucer perched under her chin. "My jet-lag moment," she says in a thick French accent. Behind us, the model Jill Kortleve, wearing a black duffle coat over leather leggings, stands at the end of a short runway. Stylist Jodie Barnes looks on from a nearby cluster of sofas. Vanhée strolls over to them. "Can you walk?" she asks, and Kortleve starts to strut. Less than 48 hours to showtime.
After ten years as Hermès's artistic director of women's ready-to-wear, Vanhée is "watching the mayonnaise coming up,” as she puts it, as years of work emulsify into critical and commercial success. Recently, she’s been described as “quietly avant-garde” and “understatedly non-conformist.” But perhaps most important, she’s managed to successfully appeal to the type of ultrawealthy Hermès shopper who’s interested in buying more from the French brand than just Birkins and silk scarves. Vanhée’s supple leather jackets and cashmere trousers have helped Hermès push through the global luxury slowdown that is dogging most of its competitors. Ready-to-wear and fashion accessories, some of which fall under her domain, are now the fastest-growing parts of the business. Which is part of the reason Hermès decided to put an extra runway show on its calendar this year— the one Vanhée is preparing for when we meet. For this, the brand turned a pier warehouse into an Hermès-ified vision of downtown New York, where Leigh Lezark and Natasha Lyonne ate plates of Carbone pasta, Caroline Polacheck performed on a cabaret stage in full red-leather Hermès, and Honey Dijon DJ’d a set. Still: Events like these are conceived less for the young people on the dance floor than for the VIP clients, some of whom Hermès flew in for the event, favorite Kellys in hand.
Diese Geschichte stammt aus der June 17 - 30, 2024-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der June 17 - 30, 2024-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten