A PECULIAR PLEASURE in watching Kimberly Akimbo comes from thinking the musical could not possibly pull off what it is trying to accomplish and being proved wrong. Somewhere in the first act, you get nervous, perhaps just about the degree of difficulty. The premise is at once straightforward and surreal: A 16-year-old girl is in high school in 1990s New Jersey, living with a rare disease (similar to progeria, though unnamed) that makes her age at four to five times the normal rate. Upon that, there are layers of absurdity: her kookily self-involved parents, a Greek chorus of classmates in show choir, her deliriously criminal aunt. By the time the script has introduced a plot involving check fraud, it seems nearly unstable. But then it all syncs up, like a jumbled Rubik’s Cube solved with a few decisive turns, or—to invoke another device from the show—an anagram right at the moment when the rearranged letters fall into a new meaning, and Kimberly Akimbo reveals that it’s been dealing in simple, unbearable truths all along.
Diese Geschichte stammt aus der November 21 - December 4, 2022-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der November 21 - December 4, 2022-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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