BARBARA BUSH, KAY BAILEY HUTCHISON, ELIZABETH DOLE, KRISTI NOEM, NANCY MACE AND VALENTINA GOMEZ
"Can you you provide a definition for the word woman?"
Tennessee senator Marsha Blackburn lobbed this query at Ketanji Brown Jackson during her 2022 Supreme Court confirmation hearings. Blackburn was doing her bit for her party’s effort to enforce transphobic gender conformity, positioning herself as a defender of womanhood as something fixed and narrow. When Jackson declined to provide Blackburn with a definition, noting that she was not a biologist, the senator took the opportunity to dial it up a notch. “The fact that you can’t give me a straight answer about something as fundamental as what a woman is underscores the dangers of the kind of progressive education that we are hearing about,” Blackburn said with lip-smacking satisfaction.
Two years later, Republicans remain cruelly closed to the realities of gender fluidity and trans existence. But how the party understands—and represents— womanhood more broadly? Well … that’s getting weird. As we cruise toward November with two ancient white men on the presidential ticket and the rights of millions of people who are not white men in the balance, the public performance of Republican womanhood has become fractured, frenzied, and far less coherent than ever.
“A true conservative woman,” Valentina Gomez, one of several Republican candidates vying to be Missouri’s next secretary of state, told me in an email this spring, “speaks the truth, works hard, loves and knows how to use guns of multiple calibers, cares for the wellbeing of children and her family, doesn’t sleep with multiple men and most important, does not murder babies.”
Diese Geschichte stammt aus der June 17 - 30, 2024-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der June 17 - 30, 2024-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
