I WAS COMING OFF of Bullets Over Broadway, but the pickings were slim. My manager wanted me to do Bride of Chucky. He called me up and he goes, “Jennifer, you got an offer,” and I go, “Oh, I did?” He goes, “It’s a major motion picture,” and he knew I always had a hard-on to do major motion pictures because I’d made so many little independent films. I was like, “Really? Why is somebody offering me a major motion picture? What’s it about?” He goes, “It’s about a little doll that kills people,” and I was like, “Oh my God, a Chucky movie? I’m not doing a Chucky movie. I can’t even believe you’re coming to me with a Chucky movie.” Back then, horror films were things that you did at the beginning of your career and then at the end of your career. Renée Zellweger was in The Return of the Texas Chainsaw Massacre; Jennifer Aniston was in Leprechaun.
Then the older actresses, when they get older, they do What Ever Happened to Baby Jane? and Hush … Hush, Sweet Charlotte. I was in the middle of my career. I was hoping I could parlay my Oscar nomination from Bullets Over Broadway into something a little more elevated than a Chucky movie.
Diese Geschichte stammt aus der Aug 12 - 25, 2024-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der Aug 12 - 25, 2024-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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