AN ENEMY OF THE PEOPLE is in previews February 27. MARY JANE is in previews April 2.
AMY HERZOG, a playwright, and Sam Gold, a theater director, met in 2002, started dating in 2007, married in 2011, and only now, 22 years in, are discovering what the other is like in a rehearsal room. "What tickled me was how polite and articulate you are," says Gold, "holding your pen up and looking really smart. There's something funny about seeing you so professional." Herzog counters, "Sam does this man-of-the-people thing where he curses a lot." She playfully adopts a slouch. "He's like, 'We're going to get our fucking hot chocolate and some fucking Norwegian tobacco." "Doesn't that tickle you?" says Gold of his rough-and-tumble rehearsal self. "Yeah," Herzog says. "That does tickle me." The two of them are sitting across from me, sipping tea from ceramic mugs at the kitchen table in their Brooklyn apartment.
It's a gray Sunday morning, their only day off from rehearsals for their first collaboration, an adaptation of Henrik Ibsen's An Enemy of the People for Broadway. Through the window next to them, you can see out across Eastern Parkway, over Grand Army Plaza, and toward the metal knuckles of the Manhattan waterfront. Having shed their work personae, they're genial and a bit goofy, playing the roles of model high-achieving, highly intellectual Brooklyn parents. He's in jeans and a sweatshirt with blocky glasses and a shock of hair pushed back over his head.
She's wearing a blue turtleneck sweater, her hair cropped close, with a rigid posture that relaxes when she jokes with Gold.
Diese Geschichte stammt aus der February 26 - March 10, 2024-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der February 26 - March 10, 2024-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.