I DON'T LIKE BEING in the same place for a long time," Michael Mann tells me as we sit down for lunch in Modena, Italy. The director has lived in Los Angeles for the past five decades with his wife, Summer, an artist. But in 2022, as he worked on his new film, Ferrari, the city where car manufacturer Enzo Ferrari lived and died became a second home. Ferrari might be the closest thing Mann has had to a dream project, which might also be why he seems so happy nowadays. I've interviewed the director maybe a dozen times over the past decade, and I've rarely seen him so animated. He has been trying to get the biographical racing drama-which follows Enzo's (Adam Driver) marital and professional turmoil during a year in which he nearly lost just about everything he had-made since the mid-1990s. As Mann talks about his new film and his whole career, one begins to see why he was so drawn to this man. "Who shall I be in this world?" Enzo asked himself as a teenager. At the time, he had no job prospects, and his father and brother had just died. That theme of self-actualization runs through Mann's films. It also runs through his own life. This is a man who went from having nothing to owning a Ferrari over the course of his early career, going on to make classic '80s and '90s films including Heat and Manhunter. "It's a human universal imperative to push beyond what the current limits are," Mann says of racing cars. He could also be talking about his own filmmaking philosophy.
What was it about Adam Driver that made you look at this strapping 39-year-old American and think, He could play a pudgy 59-year-old Italian?
Diese Geschichte stammt aus der October 09 - 22, 2023-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der October 09 - 22, 2023-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
