"AS THE WORLD falls around us, how must we bear its cruelties?" The words that open George Miller's Furiosa: A Mad Max Saga are very much in line with the apocalyptic prologues of most films in the series, but this time the question haunts Miller's slow-burn epic like a malignant, merciless spirit. Although thrilling in its own right, Furiosa at times feels like a personal and perhaps necessary counterpoint to the exhilarations of Fury Road (2015), which was so enthralling that it was easy to lose sight of the bigger, sadder picture. In the postapocalyptic gearhead action series upon which Miller built his early career, Furiosa somber, steady, and supremely twisted-is proof that none of this stuff is really supposed to be cool. "We are the already dead, Little D, you and me, says Chris Hemsworth's sadistic warlord, Dementus, to Anya TaylorJoy's vengeful Furiosa late in the film, using the nickname he gave her. These are the end times, and they the end people.
Some Fury Road fans may have forgotten this bleak truth, but Miller clearly wants to remind us. A prequel, a revenge tale, and even something of a bildungsroman, the new film begins with young Furiosa (Alyla Browne) kidnapped by a group of Dementus's motorcycle marauders, who are then chased by her mother (Charlee Fraser), a member of the Vuvalini tribe. Intending to save her daughter and make sure no outsiders learn of their verdant little oasis, Mom takes the riders out one by one. What makes this early chase so striking is the way it's presented as a relay race of dwindling resources, with everyone scrambling to conserve what they have, transferring fuel tanks from one bike to another as soon as one rider goes down. Everything is always on the verge of running out and dying out.
Diese Geschichte stammt aus der May 20 - June 02, 2024-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der May 20 - June 02, 2024-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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