Guo Pei is a woman of many superlatives: she is the first and only Chinese designer to become a guest member of the Fédération de la Haute Couture et de la Mode, the official body that recognises haute couturiers. She is known for embroidering her name and completion date on her clothes and prides herself as the only designer in the world who does the latter; clothing, says Guo, is not just a transient fashion item but a living thing that deserves to be given a “date of birth”. And of course, there’s her “Yellow Empress” dress, worn by Rihanna at the 2015 Met Gala, which propelled the couturier to international stardom.
At her atelier, Rose Studio, in her native Beijing, she talks to Tatler about transcending trends, recalls the story behind her most expensive piece, sold in auction in 2019—and reveals why she wears Issey Miyake instead of her own designs.
Who are you inspired by?
My father is a retired soldier and my mother is an educator [also retired]. My mother received a ton of medals and honours for her performance at work. She has a very serious eye disease and is almost blind, but she persevered, up until the day she retired. I think of her as a strong woman who never let herself be underestimated by others, who would never rest easy without making a contribution, and who couldn’t live an existence without adding value.
Speaking of value, what’s your most expensive piece?
Diese Geschichte stammt aus der March 2024-Ausgabe von Tatler Hong Kong.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der March 2024-Ausgabe von Tatler Hong Kong.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
THE LAST WORD
Every issue, we ask our cover star a round of quickfire questions that give us a little more insight into their personalities. This month: Gulf Kanawut lays it bare
WOMEN AT THE WICKET
Asia's women's cricket teams from outside the Indian subcontinent have been rapidly rising up through the ranks, creating opportunities, breaking barriers and changing the game as they go
TIME TURNER
A 2024 Turner Prize nominee, British Filipino artist Pio Abad talks to Tatler about carrying on family legacy, unearthing historical connections and why the Philippines is always at the core of his work
ROYAL RICHES
Ahead of the opening of Prince and the Peacock, Black Sheep Restaurants' latest establishment, Tatler joins the hospitality group on a culinary pilgrimage to India
MAKING HER POINT
Foil fencer Daphne Chan is happy to see the rising interest in her sport since Cheung Ka-long's historic win, and is headed to the Games with impressive wins behind her. But she's not allowing the pressure to get to her, and is most excited about who she might meet in Paris
IN IT TO WIN IT
Hong Kong freestyle swimmer Ian Ho, whose Instagram handle @Amphlb_ian playfully alludes to his aquatic prowess, competed at the 2020 Summer Olympics in Tokyo and won silver in the men's 50 metres freestyle at the 2023 Asian Games in Hangzhou. This month, he will represent Hong Kong at the Paris Olympics. He talks to Tatler about making Hong Kong proud, life as a student and professional athlete-and why relaxing is the way forward
UNFINISHED BUSINESS
Two-time Olympic swimmer Camille Cheng thought Tokyo 2020 would be her last Games, but competing in Paris was too big a draw for the French Chinese athlete
INTRIGUE AND INTRICACIES
Parisian artist Ugo Gattoni takes us through his elaborately designed poster for the Olympics and Paralympics in his home city this month
Crafting a New Legacy
Nicholas Lieou, creative director of high jewellery at Chow Tai Fook Jewellery Group, is reimagining jewellery, as the brand celebrates its 95th anniversary
A Lasting Legacy
Tatler explores Cartier's latest Watches and Wonders novelties with the maison's image, style and heritage director, who explains how the luxury house continues to create designs that are relevant today, yet rooted in legacy