'Children are welcome at the Proms, but in consideration of our audience and performer, children under the age of five are not allowed in the auditorium,' stated the 1996 edition of the BBC Proms prospectus, firmly. These days the wording is gentler: 'We recommend that children ... are aged five and over'. And there are two exceptions: the hourlong programme of music by Walton, Mozart, Rachmaninov and the Ukrainian composer Myroslav Skoryk given by Bournemouth Symphony Orchestra; and the Horrible Histories: 'Orrible Opera Prom, given by the chorus and orchestra of English National Opera.
Both are Relaxed Proms, a concept introduced in 2017, primarily for people with autism, sensory or communication impairments and learning disabilities, whatever their age. But they are also suitable for children and anyone who finds it difficult to stay still or silent for an extended period. The doors to the auditorium are left open so that audience members can come and go as they please, and there are 'chill-out' areas in the foyers for anyone who needs some quiet time before or during the performance - ideal for a family that has to bring a baby or toddler along to a concert aimed at its older siblings.
If you live in the north-east of England or south-east Scotland, you can even bring your toddler to a concert aimed especially at them, as part of the Proms at Sage Gateshead weekend.
CBeebies: Ocean Adventure invites children aged up to five to 'search for endangered creatures, find out fascinating facts and collect sounds and pictures for your very own musical ocean scrapbook', led by BBC children's television presenters, with music performed by the Royal Northern Sinfonia, conducted by Kwamé Ryan.
Diese Geschichte stammt aus der July 2023-Ausgabe von BBC Music Magazine.
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Diese Geschichte stammt aus der July 2023-Ausgabe von BBC Music Magazine.
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Discovering Donizetti - Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day
Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day. For most people, undertaking a lockdown project meant learning to bake sourdough bread, getting fit with Joe Wicks, or taking up a language. But Professor Roger Parker, the eminent historian of Italian opera and emeritus professor at King's College London, had something far more ambitious in mind. He set about unearthing songs by Gaetano Donizetti - many of which had been lost since the composer's lifetime - and the enterprise turned into a two-year labour of love.
Composer of the month - Bohuslav Martinů - Though the Czech absorbed many influences from his exile abroad, his colourful music was always distinctively his own
The youngest of six, Bohuslav was a sickly child, and his father or older sister often had to carry him the 193 steps up to the tower. He was shy at school, too, though showed an early talent for the violin and gave his first concert at 14. By the following year, the future composer was off to the Prague Conservatoire to take the first, if faltering, steps towards a career in music.
Symphonies Beside the Sea- Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction
Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction. It's a dimension of music-making that once was integral to many a British holiday experience, yet now has all but vanished. The tide went out, you might say, on the professional seaside (or pier, or spa) orchestra many decades ago. In their glory days, though - perhaps a quarter-century on either side of 1900-these ensembles were everywhere, from Bridlington to Eastbourne, New Brighton to Worthing, Blackpool to Bexhill-on-Sea, Cleethorpes to Brighton... the list is astonishing.
Richard Morrison- Do Classical Works About Mortality Reveal More To Us As We Get Older? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise?
As we get older do we respond differently to that vast canon of music dealing with mortality? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise? Or do human beings possess such a flexible sense of empathy that we can relate to virtually any state of mind if it is evoked convincingly enough by a composer?
Do Notes Win Votes? - There are multi-dimensional ways that music is used by political campaigners and their supporters today.
It was a little bit of history repeating when Rishi Sunak announced the UK General Election to the heckling of his political opponents blasting out D:Ream's 'Things Can Only Get Better'.
Västra Karup Sweden
The spirit of soprano Birgit Nilsson is alive and well in the town of her birth, home to a festival dedicated to her memory
Federico Colli
\"At this moment in time we don't need more virtuosi. We need musicians to engage with the philosophy of music
Harmonic Progression
What happens when classical music-style levels of ambition, invention and sheer length are brought to pop? The answer, as Meurig Bowen explains, is Prog Rock
Golden years
Young musicians may be physically fit, but with age come the advantages of wisdom and experience
Sweet Sixteen
As The Sixteen celebrates its 45th birthday, founder Harry Christophers speaks to Andrew Stewart about directing a choral powerhouse
