Gill Montgomery has come straight from the mortuary. Her mortuary, to be precise. Some rockers wait tables, others teach music or pick up temp work. The Hot Damn! frontwoman looks after dead people.
“It’s interesting,” she muses, of her day job running a funeral home in South East London. “It’s very hands-on. I think you’re either for it or you’re not.”
Stiffs notwithstanding, The Hot Damn! seem like a band you’d go to the pub with. So that’s what we’re doing right now. Sitting outside at a London boozer on a balmy Monday evening, we’re meeting half the pop-rock quartet responsible for about 90 per cent of the colour in today’s British rock scene. Drummer Josie O’Toole promptly orders the pinkest drink on the menu. Montgomery is ready for a pint.
“You want to be memorable,” she says as talk turns to music. “I look at people like Iggy Pop or Alex Harvey, and they’re not amazing singers, they just have something. They make it interesting and fun. I never wanted to be an Adele. I just wanted to be different, be… not boring. If you’re boring, you’re fucked.”
Six-foot tall and slightly wired in her flip-flops, beachy skirt and hoop earrings, Montgomery has ‘something’. On stage she mixes childlike energy with a Billy Idol snarl. At Hot Damn! rehearsals – typically at 10pm, after everyone’s finished work and made it round the M25 to their base in Maidenhead – she and guitarist Laurie Buchanan, an undertaker, compare notes on the various leaking bodies they’ve handled.
Diese Geschichte stammt aus der October 2024-Ausgabe von Classic Rock.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der October 2024-Ausgabe von Classic Rock.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Dream Theater
With friends (and bandmates) reunited for the band's 40th anniversary, it'll be a special night for fans at Wembley Arena.
Royal Republic
Livewire, turbo-harmonised, disco-rocking Swedes get ready for upgraded UK and Europe dates.
GOTTA KEEP MOVIN'
In 1968 the MC5's Kick Out The Jams album was a grenade thrown into the music scene. In the decades since, Wayne Kramer acted as guardian of the band's legacy until he died earlier this year, after making one final album.
THE KILLING FLOOR
Now revered as a linchpin moment in the history of the blues, Howlin' Wolf's London sessions in 1970, with a superstar cast that included some of England's rock royalty, came out of a chance encounter several months earlier at a gig in San Francisco.
ROGUE TRADER
Recording almost everything on his latest album himself and putting it out on his own label, Tuk Smith followed the adage that if you want something doing properly, do it yourself.
BILL WYMAN
WW2 evacuee, RAF airman, Rolling Stone, hit solo artist, bandleader, author, restaurateur, archaeologist, cricketer... Even just his time in The Greatest Rock'N'Roll Band In The World is storied, but there's been much, much more to his life than that.
LIFE IS A JOURNEY
For some people, travelling life's road is easy. For lifelong worrier Myles Kennedy it's anything but. But with his brand new solo album The Art Of Letting Go he's learning just what that title says.
ALL ABOUT BEING LOUD
In an exclusive extract from his Fast Eddie biography Make My Day, long-time Motörhead associate Kris Needs looks back at the making of their game-changing Overkill album and the subsequent killing-it UK tour.
Nikki Sixx
The Mötley Crüe bassist on making new music, replacing Mick Mars, work-life balance, learning when to say no...
Bobbie Dazzle
Meet the West Midlands singer bringing back upbeat music, fun and fashion of the 70s.