UNLESS YOU HABITUALLY peruse the dusty corners of acoustic-guitar specialty shops in search of petite-bodied parlor guitars from yesteryear, you might not know the name Lyon & Healy. But the brand was once one of the most prominent American guitar makers, and for a time it was a central fixture in Chicago's massive instrument manufacturing scene.
It was also one of the best when judged by its upper-level flattops of the early 20th century. In terms of both build quality and presentation-grade ornamentation, the 1920s Lyon & Healy auditorium model featured here could have given Martin's 00-45 of the era a run for its money, although it arguably wasn't put together with quite the same depth of craftsmanship, nor has it attained a comparable status over the past 100 years.
George W. Lyon was a long-term employee of Boston's Ditson Company, a music publisher that also dealt in musical instruments, which was a common practice in the day and for many decades after. Ditson partnered Lyon with the younger Patrick Healy and sent the pair west to Chicago in 1864 to establish what would initially be another Ditson outlet. Lyon & Healy eventually built the enterprise into much more than that, even overtaking their original employer in scope and market reach.
Among the better-known creations from Lyon & Healy are Washburn guitars, originally branded "George Washburn," using Lyon's first two names. Many early 1900s Washburns were virtually interchangeable with the other guitars that Lyon & Healy manufactured and distributed. While all Washburn guitars of the day were made by Lyon & Healy, not all Lyon & Healy guitars carried the Washburn brand.
Diese Geschichte stammt aus der August 2023-Ausgabe von Guitar Player.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der August 2023-Ausgabe von Guitar Player.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
How I Wrote..."Year of the Cat"
AI Stewart reflects on his beguiling hit, some 10 years in the making.
UAFX
Teletronix LA-2A Studio Compressor
LINE 6
POD Express
MAN OF STEEL
He brought the Dobro to centerstage with his dazzling talent. As he drops his first album in seven years, Jerry Douglas reflects on his gear, career and induction in the Bluegrass Hall of Fame.
HIGH TIME
The new MC5 album took more than 50 years to arrive. The band members have all passed on, but the celebration is just beginning.
58 YEARS OF GUITAR PLAYER
As Guitar Player moves full-time to its online home, we look back at some of its greatest stories in print.
DRAGON TALES
In a Guitar Player exclusive, Jimmy Page sheds light on the amplifiers behind his Led Zeppelin tone and how they live again in his line of Sundragon signature amps.
CLOSER TO HOME
Rehearsal space, studio, vessel and abode Diego Garcia's boat is the home base for his new album, as well as his musical life as the seafaring Spanish guitarist Twanguero.
Funk Noir
With The Black Album, Prince made his greatest-and most infamousmusical statement.
Medium Cool
Striking the middle ground between its Thinline brethren, Gibson's ES-345TD remains a versatile, if underrated, gem.