M: My very first jazz inspiration was Pat Martino. I remember one day getting to my guitar lesson a little earlier and seeing my teacher playing through a transcription of one of Pat’s solos. I thought that was so cool, so as soon as I got back home I started researching his music and that got me started in jazz guitar.
What elements of jazz have you found the most stimulating from a theoretical and technical perspective?
M: What first got me into jazz was definitely the technical side of it. As a guitarist I remember listening to Pat Martino or Pat Metheny and thinking, ‘wow, there are so many possibilities there’. It seemed to me that this was as liberated as you could get as a guitar player, and that resonated with me. I wanted those skills, I wanted the ability to express myself in such a freeing way.
What guitars, amps and pedals do you prefer the most for recording or live performances?
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Diese Geschichte stammt aus der April 2024-Ausgabe von Guitar Techniques.
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THE MOODY BLUES
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This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
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This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
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VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
