GT: If you had to give up all your pedals but three, what would they be?
JJN: I cannot live without overdrive! I NEED IT. The first and foremost pedal would be an Ibanez Tube Screamer, the foundation of my tone. I always have a TS on while playing. Second would be another one of my all-time favourites, a Tychobrahe Octavia. This is by far the rudest screamer fuzz I have ever played. Whenever I need the extra push off of the cliff, I’ll hit this one on. Imagine a swarm of bees and a grizzly bear combined. It’s scary! Lastly, I would have to pick a Univibe. I love the texture and throb of the Univibe. It makes me feel as if my guitar is breathing and alive. When I am playing in my trio it adds a whole different dimension.
GT: Do you play another instrument well enough to do so in a band, and if so, have you ever done it?
JJN: Believe it or not, I love to play bass. Whenever I am making demos or writing, I’m always on the bass. It’s a ton of fun for me to interact in that low-end headspace. Although I haven’t played bass in a band, never say never!
GT: If a music chart were put in front of you, could you read it?
JJN: I could absolutely read a chart! When it comes to reading melodies or single notes, that’s where I’d have to slow down and actually work on it. I had a short stint at Berklee College of Music when I was 18 and I got pretty good at reading, but I haven’t done it since then. I have so much respect for those who can sight-read complex music.
Diese Geschichte stammt aus der July 2023-Ausgabe von Guitar Techniques.
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Diese Geschichte stammt aus der July 2023-Ausgabe von Guitar Techniques.
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THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
