GT: Do you have a type of pick that you can’t live without?
Chris: I’m a one-pick man. It’s a 1.4 mm tri-point pick made of casein that I helped D’Addario design (right down to the bevel!), and I’m VERY happy with it.
Sean: Yes, my current favourite pic is a Wegen triangle pick, 1.2mm and I love it. It’s the one with the holes in it. It’s great for grip and just feels wonderful.
GT: Do you play another instrument well enough to do so in a band?
Chris: I can get by okay on guitar and fiddle and play both on the Goat Rodeo Sessions project. It always feels like I’m in character or something, which can be fun, but I don’t think I’d wanna do it for a whole show.
Sean: Maybe mandolin. I could maybe be in a mediocre bluegrass band. Other than that, I play a little bass and some keyboards.
GT: If a music chart were put in front of you, could you read it?
Chris: Yeah. Not as well as a badass session musician though! When I was doing the Live From Here radio show I was always amazed by how musically someone like Mike Elizondo (who played bass and generally made everything better on our new album Celebrants) could play while reading a chart down for the first time. I usually try to memorise as quickly as possible, and that’s when I start feeling like myself.
Sean: Yes. But I prefer the number system charts with numbers on them. But I can read a chart with the chords as well. I’m not very good at reading notated music.
GT: Is there anyone’s playing that you’re slightly jealous of?
Diese Geschichte stammt aus der August 2023-Ausgabe von Guitar Techniques.
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Diese Geschichte stammt aus der August 2023-Ausgabe von Guitar Techniques.
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THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
