“AAARRRRRGGGHH!!! THIS IS so flippin’ AMAZING! Hahahaha. Hmmm, what should I do first? Burn my guitar … or light MYSELF on fire! Give me MORE,but GOD ALMIGHTY, MAKE IT STOP!”
Does that sound insane?
Yes, indeed. But that was the kind of crazy talk many guitarists engaged in during the Eighties. And who could blame them? George Lynch, Vito Bratta, Steve Vai, Nuno Bettencourt, Reb Beach, Yngwie Malmsteen, Kirk Hammett, Eric Johnson, Paul Gilbert, Marty Friedman and about a billion other handsome virtuoso shredders just kept getting faster and better until all you could scream was, “I surrender! Fuck playing the guitar, I’m gonna join the Marines.”
Then suddenly on September 10, 1991, a date that will live in infamy, everything changed.
Nirvana, a melodic punk rock band from Seattle, released a simple fourchord slugfest titled “Smells Like Teen Spirit” and sparked a musical revolution that blew all the fleet-fingered pretty boys out of the water.
Nirvana and their charismatic singer/ guitarist Kurt Cobain championed gritty “authenticity” over the glamorous excesses of the hair metal of the Eighties, and their disheveled presence suddenly made bands like Winger, Warrant and Whitesnake look like dolled-up saloon girls in comparison. And just like that, the guitar virtuoso crazy train was completely derailed like the Norfolk Southern locomotive in Ohio.
Diese Geschichte stammt aus der November 2023-Ausgabe von Guitar World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der November 2023-Ausgabe von Guitar World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
THE JESUS LIZARD
Duane Denison tells you everything you need to know about his gear, trying to sell Steve Howe a guitar in the Seventies and oh, yeah! - 2024's Rack, the Jesus Lizard's first new studio album in 26 years
MATTEO MANCUSO
The Italian jazz-shredder on social media, his love of the Yamaha Revstar and the advice given to him by Steve Vai
GRACE BOWERS
After a \"whirlwind\" year, the 18-year-old sensation discusses her love of SGS, inspiring a new generation of female guitarists, and how she's more than just a blues player
THE GUITARISTS OF THE YEAR
GUITAR WORLD'S EDITORS AND WRITERS SELECT 2024'S GAME-CHANGERS AND TASTEMAKERS
OUR FAVORITE GEAR OF THE YEAR
THERE WAS AN ONSLAUGHT OF NEW GUITAR PRODUCTS RELEASED OVER THE PAST 12 MONTHS. HERE ARE THE ONES THAT HAD US ALL TALKING
NEWS OF THE (GUITAR) WORLD
SIT BACK AND GET READY TO RELIVE THE BIGGEST, BADDEST AND DOWNRIGHT CRAZIEST GUITARCENTRIC HEADLINES OF 2024
The Courettes
A PAIR OF FUZZ-TINGED GARAGE ROCK MANIACS EXPAND THEIR SOUND AND THE RESULTS ARE EXQUISITE
Within the Ruins
JOE COCCHI REVISITS HIS CLASSIC PHENOMENA TONE (AND A COUPLE OF COMIC BOOKS) TO CRUSH THROUGH A SUPERHEROIC SEQUEL
The Bad Ups
PHILADELPHIA PUNKS LOAD UP WITH PAINT-PEELING POWER CHORDS ON THEIR DEBUT ALBUM
The Return of Tab Benoit
AFTER MORE THAN A DECADE COMMITTED TO THE ROAD, THE LOUISIANA BLUES ARTIST IS BACK WITH A NEW 10-SONG COLLECTION, I HEAR THUNDER