ANNIE CLARK-AKA ST. VINCENT
DISCUSSES HER SINGLE-MINDED PURSUIT OF RAW EMOTIONS AND SONIC PERFECTION, AND HOW SHE SERVED AS "JUDGE, JURY AND EXECUTIONER" ON HER NEW, SELF-PRODUCED ALBUM
STARTING WITH HER 2007 DEBUT album, Marry Me, and on through 2021’s Daddy’s Home, Annie Clark (better known by her professional moniker, St. Vincent) has crafted albums that are adventurous and provocative both sonically and lyrically. A restless shapeshifter in a way that recalls David Bowie (one minute she’s an enigmatic indie rock icon in muted-colored baggy dresses, the next she’s a goth superstar in red patent leather and latex bodysuits), her music is an extension of her fearless creativity and an unwavering devotion to her muse.
Clark’s songs don’t behave like other artists’ compositions. Combining multiple genres (and subgenres) that don’t always play well together, she revels in dissonant sounds, agitated beats and arrangements that make up their own rules. But perhaps Clark’s greatest achievement is that, for as complex and daring as her music is — much of it flavored with her idiosyncratic guitar playing, which can vary from blitzing wildcat solos to unorthodox chord voicings to bonkers, effects-driven atmospherics — she has a bewitching way of drawing you in. Like its predecessors, Clark’s new album, All Born Screaming, is a thrilling immersion in sound and spectacle, but it’s wildly entertaining in a way that feels transcendent.
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Diese Geschichte stammt aus der July 2024-Ausgabe von Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
