FROM THEIR NASCENT days in the early aughts to the present day, Lamb of God have been a consistently breathtaking live band. In addition to featuring one of the most volatile, energetic frontmen, Randy Blythe, the quintet is exceptionally tight, and their post-thrash songs are technical, yet accessible, propelled by the complementary, but stylistically different, tones and playing styles of guitarists Mark Morton and Willie Adler. Having toured steadily since 1994, they finessed their chemistry on the road, retaining their following and gaining new acolytes on package tours and at countless headline shows.
Realizing their strong stage presence was a major selling point, Lamb of God released three live DVDs, Terror and Hubris in 2004, Killadelphia in 2005 and the double-disc set Walk with Me in Hell in 2008. In 2020, the band performed two live streams, one for their 2004 album Ashes of the Wake and the other for the 2020 self-titled record they had been touring for when the world went into lockdown. The live songs from the latter were included on an expanded CD/DVD edition of Lamb of God, which came out in March 2021.
“We love playing shows, and we know how good and tight we can be and how connected we can feel performing together,” Morton says from his home in Richmond, Virginia. “Over the years we’ve developed the confidence to win over crowds, even when they’re not all there just to see you. And that’s a powerful thing — having people sharing that experience with you.”
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Diese Geschichte stammt aus der November 2022-Ausgabe von Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
