Back in the old days we had to learn about guitars from experience, or from the few books at our disposal, many of whose ‘facts’ it turned out were rather questionable. Thank goodness for Professor Google! I was a total ignoramus when I first started buying guitars. My first quality instrument was a 1967 Tele, and my next the infamous ‘Jimi’ bitser Strat. The Tele was the round-lam rosewood-fingerboard type, while the Strat had a slab neck. I therefore presumed all Teles were round lam and all Strats slab ’boards. It was years before I found out. But I took them both to bits and learned how they were put together and how the geometry of the guitar’s action worked. It set me in good stead for later.
Then came a Gibson ES-335. I’d heard the owner was selling two, and I was to be given a choice. He turned up at my house and opened two cases. One had a gloriously dark see-through cherry finish with gorgeous swirly grain, while the other was a brighter red. The dark one was a 1962 model and the lighter one a ’67. “The newer one’s got the narrower nut width,” the seller told me. “That’s got to be good,” my ignorant brain reasoned, swerving me towards the later guitar (which, at £140, was also 20 quid cheaper).
Diese Geschichte stammt aus der January 2023-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der January 2023-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more