"The CBS era [from 1965] was a hugely experimental time for Fender because they had the financial resources to try a lot of different things. They’d already hired Roger Rossmeisl [in 1962] and Phil Kubicki [in 1964] to come onboard and develop new designs. The guitar world was changing quickly and people didn’t necessarily want the same old same old. But the biggest problem they were facing was weight. From my understanding, the Environmental Protection Agency in the United States made it mandatory to use the entire tree, as companies that were harvesting wood were taking the wood furthest from the roots and leaving the rest of the limbless tree to die. So that heavier wood down at the base had to be used in the process, and that prompted Fender to find ways of using less of it. Essentially, they wanted to figure out how to reduce the weight of guitars but still make them sound good.
“Obviously, there was a lot of experimentation with Telecasters – including the ‘smuggler’ and Thinline Telecasters – but I’ve also come across experimental models like a semi-hollow Jaguar that was made like a Custom Telecaster with a bound body. But the only commercially successful design out of all those weightrelieved guitars was the Thinline Telecaster. It was the number-one-selling Fender guitar in 1968 and 1969. They sold more Thinline Telecasters than they did any other guitar.
Diese Geschichte stammt aus der Summer 2023-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der Summer 2023-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Sonic Shaper
Electro-Harmonix revisits the effect that launched the company with the LPB-3 Linear Power Booster and EQ
Platinum Blonde
PRS has updated its Texas-voiced David Grissom signature amp with more features, lower wattage and a more approachable price tag
TAN LINES
Many of us regard straps as a bit of an afterthought, but to find one that matches the quality of a custom or vintage guitar, Rod Boyes of Pinegrove Leather can help
ELECTRIC STRINGS
Your tone starts with your strings - strike a balance between sound, tuning and durability with six of our favourites
DIFFERENT WINDS
While there's no end to repros of all the classic pickup styles, more and more pickup makers are mixing things up to move forward - Cream T is a good example
Long termers
A few months' gigging, recording and everything that goes with it - welcome to Guitarist's longterm test report
Top Guns
Chapman's new factory move coincides with a bit of a rethink. We track down the key players all around the world
the Wishlist
Dream gear to beg, borrow and steal for...
Reach For The Star
Earlier this year Guild reorganised its 70s-era Polara range. We spent some time with this mid-range 2024 model: a modern pawn-shop prize or a copy too far?
HIGH FLYER
Adrian Thorpe of ThorpyFX remembers the flight path - and turbulence behind Chris Buck's Electric Lightning overdrive/boost, named after a fighter jet and packing a bona fide valve