In one way or another, Ray Shulman was destined to have a life in music. Born on December 8, 1949, he’s best known as a member of progressive rock mavericks Gentle Giant, but he could just as easily have become a star violinist in the classical world. The youngest of the three brothers who would form the band, Ray was a prodigious musical talent, skilled at both the violin and the guitar. His parents were eager for Ray to join the National Youth Orchestra of Great Britain, but brother Derek had other ideas. Electrified by the arrival of The Beatles, he set about forging his own musical legacy, forming his first band with friends from grammar school. One day, as they rehearsed in the Shulmans’ front room, Ray began strumming along on his violin. Noting that his brother was plainly the most talented musician in the room, Derek asked him to join.
“This was the beginning of the Shulman brothers’ journey into the sordid but incredible world of popular music,” says Derek Shulman. “I thought, ‘If The Beatles can make it, well, so can I!’ To our parents’ dismay, Ray preferred playing R&B and soul music to playing Bach and Bartók. I should be sorry but honestly I’m not, because if it wasn’t for Ray none of what transpired would have been able to happen.”
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Diese Geschichte stammt aus der Issue 140-Ausgabe von Prog.
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
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Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.
