The Men For All Seasons
Prog|Issue 141
In September 1989, Marillion unveiled their new album, Seasons End, and new vocalist, Steve 'H' Hogarth. As one chapter ended, a new one opened and with it came new challenges and experiences. To coincide with the release of a deluxe edition, the band revisit the making of the record that helped steer their career in a new direction and prove there really was life after Fish.
Dom Lawson
The Men For All Seasons

As surprising as it seems, for the last five months of 1988, Marillion were an instrumental quartet. After the acrimonious departure of frontman Fish that summer, Aylesbury's finest were faced with the unenviable task of deciding what to do next. They were still working on new music, of course, because that's what they'd always done (and still do nearly 35 years later), but the spotlight that had illuminated their former singer was now hitting an empty centre-stage.

"There was a sense of relief when Fish left, to be honest," says guitarist Steve Rothery. "It was like a huge weight was lifted off our shoulders, just because things had got so bad. What had been a great working and personal relationship had degraded to the point where it was just unworkable. This was a bit of a journey into the unknown, but we had faith in the music that we'd already written, and that sustained us."

"Strangely enough, I don't think any of us were panicking, like, 'Oh my God, what are we going to do?'" says bassist Pete Trewavas. "It wasn't a shock-and-awe moment. It was more, 'We're just going to carry on because we're good at what we do!' We knew what we did and we knew its worth. We also realised that we had some good music, and we just wanted to complete the new equation with a good singer. It was worth the wait to find somebody like Steve Hogarth, it really was."

Part of the huge challenge that Marillion were now facing was that Fish had been such a distinctive lyricist and character, and one whose entire persona and approach were inextricably woven into everything that the band had released. Replacing such a charismatic figure was no small task, but Trewavas, Rothery, keyboard player Mark Kelly and drummer Ian Mosley remained united, determined to use this unexpected pause in their story as a means to forge ahead anew.

Diese Geschichte stammt aus der Issue 141-Ausgabe von Prog.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der Issue 141-Ausgabe von Prog.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS PROGAlle anzeigen
JAKKO M JAKSZYK
Prog

JAKKO M JAKSZYK

King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.

time-read
4 Minuten  |
Issue 154
A Part & Yet Apart
Prog

A Part & Yet Apart

Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.

time-read
5 Minuten  |
Issue 154
CONTROLLED AIRSPACE
Prog

CONTROLLED AIRSPACE

He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.

time-read
6 Minuten  |
Issue 154
On The Wing
Prog

On The Wing

Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.

time-read
7 Minuten  |
Issue 154
Fourth Dimension
Prog

Fourth Dimension

The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.

time-read
5 Minuten  |
Issue 154
Symphly The Best
Prog

Symphly The Best

In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.

time-read
7 Minuten  |
Issue 154
We've Not Been Expecting You
Prog

We've Not Been Expecting You

The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.

time-read
7 Minuten  |
Issue 154
FAR HORIZONS AND PANORAMIC AMBITIONS
Prog

FAR HORIZONS AND PANORAMIC AMBITIONS

Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.

time-read
5 Minuten  |
Issue 154
'I mean, what is classical nowadays?'
Prog

'I mean, what is classical nowadays?'

Tony Banks reflects on his role as a 21st-century classical composer.

time-read
8 Minuten  |
Issue 154
There Can Be Only One!
Prog

There Can Be Only One!

Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.

time-read
5 Minuten  |
Issue 154