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If you were me, what would you do/You look in the mirror and it’s not really you.” It’s a couplet from a new song, The Gender Line, which captures a big part of the story of rock singer/ songwriter/guitarist, Cidny Bullens.
Bullens, a vocalist in Elton John’s mid-70s touring band (he’s also on Don’t Go Breaking My Heart and Blue Moves), almost blazed a trail of glory as a rock star, twice Grammy-nominated in his twenties. He endured record label shenanigans, addiction, and profound loss before a revival in the late 90s. Now he’s published the memoir TransElectric: My Life As A Cosmic Rock Star and is issuing an album which is his seventh and his first. That’ll make sense later; for now, we introduce ourselves on a humid July afternoon, he in Nashville, I in London. He’s a markedly young 73, with kind, expressive eyes, answering questions open-heartedly and without wariness.
He tells me his lifetime of journaling and the one-man (or “One Wo/Man”, as it was styled) show he performed in the 2010s, meant the framework for TransElectric was already in place. In it, he writes vividly of his early life as Cynthia, known as Cindy, raised the second daughter of five siblings in a straight-laced Massachusetts family. His rock identity was sparked by a sense of connection to Mick Jagger.
“The Beatles opened me up to a musical pathway,” he says, “but the Stones I responded viscerally to. I really did think there was some kind of projection from me to Mick Jagger. I had the big lips, I had the hips, I could dance like him. I had already started listening to John Lee Hooker, Lightnin’ Hopkins, Sonny Terry, Brownie McGhee and Willie Dixon, but the Stones really embodied a different way of listening to R&B and blues.”
Diese Geschichte stammt aus der October 2023-Ausgabe von Record Collector.
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Diese Geschichte stammt aus der October 2023-Ausgabe von Record Collector.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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Breaking new ground for black music in Britain from his teenage years in Matumbi in the early 70s, Dennis Bovell went on to become one of reggae's most highly regarded producers, helping popularise lovers rock. He also played a pivotal role in post-punk's experimental incorporation of dub influences on records like The Slits' Cut and The Pop Group's Y. As new compilation, Sufferer Sounds, reaches back to his early days to compile some of his best early dub plates, Lois Wilson gets the full backstory from one of British music's most enduring forces.
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