While the power of pulchritude still commands its undisputed spot as a purchase parameter, when it comes to manufacturers, the overall design incorporates a lot more than just looks. Previously, design studios at manufacturers were reduced to a styling studios focussing only on appearance, but today, this very styling studio is responsible for the multi-sensory experience, which encompasses the look, tactile aspect, sounds, smell, and much more.
“Today it is not only about making a vehicle, but about making a mobility experience,” says, Ajay Jain, Head India Studio & Global Design Strategy, Tata Motors. “The most important aspect is that we as an Indian brand, with an evolving Indian customer, have a huge strategic advantage of designing cars in the country, without the baggage that other multinational manufacturers might carry. The India Design Studio at Tata Motors is therefore being very contextual in partnership with our European studios. Today, the focus is on high quality, precision, and materials relevant to the Indian market.”
While on the subject of design-forward cars, Tata’s Jain cites a few examples of recent showcars in their stable, “Avinya, Curve and Sierra; each is intrinsically a Tata but has a highly dynamic design. The Avinya, for instance, is so avant garde with respect to its all-electric proportions and technology. We’ve even managed to transform the ever popular Nexon and Harrier with minor changes on the front and colour changes in the cabin to make it more design forward.”
Diese Geschichte stammt aus der March 04, 2024-Ausgabe von India Today.
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Diese Geschichte stammt aus der March 04, 2024-Ausgabe von India Today.
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He gave the beat to the world
He would pick up the rhythms of each experience of mobility and weave them into his taals. Thus it was that he reflected joy and laughter in rhythmic cycles...such was the magic of Zakir's fingersText and photographs by Raghu Rai
KERALA TOURISM CAMPAIGN, 1989 - TICKETS TO PARADISE
All it took was a catchy tagline-'God's Own Country'-for the world to discover Kerala's wealth of natural beauty. It remains among the best tourism ad campaigns, earning the state a place among top 10 international destinations
SPIRITUALITY - THE GURUS OF COOL
Among the cult Indian gurus, no one had a bigger hold on western minds than 'Osho' Rajneesh. He's also perhaps the role model for the enterprise-building gurus of today
RETAIL SHOPPING - THE MALL MANIA
Shopping malls, a 1990s innovation in India, changed the way the Indian middle class shops. Their success now lies in being 'shoppertainment' destinations, offering something for everyone
CULINARY RENAISSANCE, 1978 - TANDOORI NIGHTS
ITC's Bukhara and Dum Pukht turned the world to tandoori cuisine and had an enormous impact on the F&B industry. Decades on, they are still a pit-stop for celebrities and heads of state visiting Delhi
INDIAN WRITING IN ENGLISH - REVENGE OF THE NATIVE
Rushdie lit the way but Indian writing in English has taken a life of its own in the past few decades, with translated Indian fiction most recently having its moment in the sun
INDIAN ART - A BRUSH WITH GOLD DUST
The 1990s economic liberalisation came as oxygen, lighting up the Indian art scene. Today, artworks by established masters routinely go for astronomical amounts
FESTIVAL OF INDIA, 1982 - CULTURE CAPITAL
The Festival of India grew into a symbol of our 'soft power', introducing our art and aesthetics to a global audience while also helping rebrand our domestic products
THE INDIPOP TREND - DISCO GOES DESI
For ages, the film song ruled. Nothing else was audible. Then came Nazia, charioteered by Biddu, and Indian ears went into a pleasant madness. Literally, Disco Deewane. A whole genre was born
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India had seen hits before. But Sholay seared into its collective psyche like a badland bullet. The effect was on a scale never seen before- one film creating a new mass folk culture. And a trail of monster blockbusters that still continues