THE UNEXPECTED IS TO BE EXPECTED: that’s by now a motto in the BJP’s tactical playbook. But it always leaves a vast pool of possibilities. Where—rather, against whose name—would the roulette’s needle stop? The tall, lanky, bearded figure of Nayab Singh Saini is where it decided to stop on March 12. Soft of manner and speech, and perhaps even of ambition, the 54-year-old MP from Kurukshetra may have been as surprised as Manohar Lal Khattar was back in 2014 when picked as the chief minister of Haryana. The latter had an equally surprising exit clause sprung on him, six months short of a decade in office. Just the previous day, as he walked down the spanking-new Dwarka Expressway with Prime Minister Narendra Modi, the 69-year-old Khattar had seemed supremely secure in saddle and stirrup. Saini, an OBC, is counted among those loyal to him, but wasn’t ever really groomed to inherit the mantle, nor did he present himself as a frontline choice for a generational shift. That is, if at all Haryana was deemed ready for a replay of a manoeuvre the BJP has previously employed in Gujarat, Uttarakhand and Karnataka, choosing to face voters under a new chief minister. Another jigsaw piece was dislodged alongside, perhaps to be refitted at a different time—the Dushyant Chautala-led Jannayak Janta Party (JJP), an ally that had helped it make up the numbers in 2014, was out.
Diese Geschichte stammt aus der March 25, 2024-Ausgabe von India Today.
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Diese Geschichte stammt aus der March 25, 2024-Ausgabe von India Today.
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He gave the beat to the world
He would pick up the rhythms of each experience of mobility and weave them into his taals. Thus it was that he reflected joy and laughter in rhythmic cycles...such was the magic of Zakir's fingersText and photographs by Raghu Rai
KERALA TOURISM CAMPAIGN, 1989 - TICKETS TO PARADISE
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ITC's Bukhara and Dum Pukht turned the world to tandoori cuisine and had an enormous impact on the F&B industry. Decades on, they are still a pit-stop for celebrities and heads of state visiting Delhi
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The 1990s economic liberalisation came as oxygen, lighting up the Indian art scene. Today, artworks by established masters routinely go for astronomical amounts
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The Festival of India grew into a symbol of our 'soft power', introducing our art and aesthetics to a global audience while also helping rebrand our domestic products
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India had seen hits before. But Sholay seared into its collective psyche like a badland bullet. The effect was on a scale never seen before- one film creating a new mass folk culture. And a trail of monster blockbusters that still continues