THE political processes in India, particularly since Independence, have uncannily pushed Indian Muslims to the margins. The push, quite evident since the 1990s, is largely the result of three interrelated conceited-imageries in Indian politics. One, the burden of partition is ominously placed onto the Muslims, even to those who stayed back in India, either by choice or necessity, and inferably were stereotyped as traitors, anti-national and untrustworthy. Since partition days, India as an ‘imagined community’, or perhaps as a ‘spectacle democracy’, reproduces its collective ethical identity, where we find, at times, the corrosion of secularism, and, at times, the near-complete exclusion of Muslims. The past, of course, has been undeniably rocked by communalism, violence and persecution of Muslims. Two, Islamophobia emerged as the dominant mode of prejudice against Muslims, leading to widespread exclusion, hate crimes and disparagements. The Hindutva project, tracing its roots to the iterations of Veer Savarkar that Muslims are enemies of the Indian nation, has fuelled an even more extreme demonisation of Muslims and has exacerbated the climate of fear and violence feeding into the rising Islamophobia. And third, the neo-liberal project, with its in-built proclivities to exclude vulnerable groups from the market distribution of resources, and more precisely from the labour market, has taken a toll on Muslims.
Diese Geschichte stammt aus der September 21, 2024-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der September 21, 2024-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee