..think of that opening scene from Kubrick's 2001 with its brief shots of nature at different times of day and of the year until at some point an already human-like horde appears. And then, as you know, there's that one grandiose step: at the end of a bloody fight, one of the primitives grabs his weapon, a bone that he has just used as a club, and throws it into the air—it flies up and up, turns/and the next thing we see is a bone-shaped spaceship. This marks the beginning of civilisation, the beginning of humanity, so to speak, in whose inner being violence and manslaughter have been contained from the very beginning, and thus signifies the beginning of homo faber.
—Reinhard Jirgl in a letter to me
The Last Supper: By Madhvi Parikh. Has this catalogue entry by Cioran: Nobody in this world has yet died from another's suffering. And the one who said that he died for us did not die; he was killed.
And this, by Gabriela Misteral, also from the same catalogue: On the night of the Garden of Olives, Judas slept for a few moments and dreamed, dreamed of Jesus, because one dreams only of those one loves or of those one kills. And Jesus said to him: 'Why did you kiss me? You could have scored me with your sword, to mark me. My blood was ready, like a goblet, for your lips; my heart did not resist death. I was waiting for your face to appear among the branches.
'Why did you kiss me? No mother will want to kiss her son because of what you've done, and now anything that kisses for love on the earth, the leaves or the sunshine, will resist the shadowy caress. How will I be able to erase that kiss from the light so that it doesn't overpower the lilies of this springtime? Behold, you have sinned against the world's trust!
'Why did you kiss me? The murderers are already wiping off their gaffs and knives; they're already clean. There were bonfires before, but no kiss.
Diese Geschichte stammt aus der January 11, 2025-Ausgabe von Outlook.
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Diese Geschichte stammt aus der January 11, 2025-Ausgabe von Outlook.
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Soft Ruins
'Soft Ruins' is a chapter within the long-term ongoing project \"When Spring Never Comes\", an expansive exploration of memory, identity and displacement in the aftermath of exile within contemporary global politics. It reflects on how the journey as an asylum seeker in Europe mirrors the instability and threats of life under dictatorship, amidst rising right-wing movements and shifting power dynamics, where both certainty and identity are redefined
Building Beyond Homes: Provident Housing's Transformative Approach
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The Burdened
Yemen, once a beautiful land identified with the Queen of Sheba, is now one of the worst ongoing humanitarian disasters of modern times
Sculpting In Time
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The Story Won't Die
Is Israel's triumphalism over its land grab in Syria realistic? The hard reality is-Israel now has Al-Qaeda as a next-door neighbour
Against the Loveless World
In times of war, love exists as a profound act of defiance
Soul of My Soul
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in Dancing the Glory of Monsters
By humanising the stories of those affected by war, poverty and displacement, Buuma hopes to foster empathy and inspire action
All the President's Men
Co-author of All The President's Men and one of the two Washington Post journalists (the other was Carl Berntstein) who broke the Watergate scandal that brought down the President Richard Nixon administration in the United States in 1974, Bob Woodward's recent book War was on top of The New York Times Bestseller list, even above John Grisham.
