In all my years doing research at the National Archives, I had never cried. That day in fall 2012, I had simply planned to examine documentary material that might help determine how the yet-to-be-built National Museum of African American History and Culture would explore and present the complicated history of American slavery and freedom.
As I read through the papers of the Bureau of Refugees, Freedmen, and Abandoned Lands—the Freedmen’s Bureau, as it’s usually called—I decided to see if I could find records from Wake County, North Carolina, where I knew some of my own enslaved ancestors had lived. I had few expectations because I knew so little about my family’s history. From a surviving wedding certificate for my paternal great-grandparents, I’d gotten the name of my earliest-known family member, an enslaved woman named Candis Bunch, my great-great- grandmother. But scrolling through rolls of microfilmed documents from the Raleigh office of the Freedmen’s Bureau, I realized the chances were remote that I would find my ancestor.
But when I turned my attention to a series of labor contracts— designed to give the newly freed some legal protections as they negotiated working relation ships with their former enslavers— I found a single page documenting a contract between Fabius H. Perry, who owned the plantation next to the one where my ancestors had been enslaved, and Candis Bunch. That page not only filled a void in my knowledge of my family’s history, but also enriched my understanding of myself.
Diese Geschichte stammt aus der December 2023-Ausgabe von The Atlantic.
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Diese Geschichte stammt aus der December 2023-Ausgabe von The Atlantic.
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