When I asked one, sporting very large trousers and lilac hair, what was going on, they mentioned a playback of the forthcoming Boygenius album. That figured.
Cutting off Brick Lane, I noticed a crowd gathered behind an ornate green gate next to The Pride of Spitalfields, a favourite pub. Peering into the cobbled courtyard, I spotted trays of canapés, glasses of champagne, hushed dignitaries with thick framed glasses whispering gravely to women in statement print frocks and wooden jewellery. An art event. My social arithmetic calculated this was the opening of The Gilbert and George Centre, a free-for-all gallery to house the couple's art they've charitably gifted locals.
It felt entirely in the spirit of the artists, whose guiding, egalitarian principle is Art For All, to gatecrash the event. I slipped past a well-shod doorman. When asked my name, I said, "I'm a friend of Gilbert's" (I'm not) and waltzed through.
Ever since, the Gilbert and George Centre has become a favourite new base for meeting friends and showing off to visitors. It's become a special place for quiet moments you never imagine you'll treasure as a young man, until one day you wake up older, wider, busier, slower.
Diese Geschichte stammt aus der November 24, 2023-Ausgabe von Evening Standard.
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Diese Geschichte stammt aus der November 24, 2023-Ausgabe von Evening Standard.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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