In this keystone of modern drama, derelicts Vladimir and Estragon — described by Beckett as “clowns” — battle against the meaningless of life, waiting in a blasted landscape for a man they don’t know who never comes.
The bleak wit and the absurdity sit well with our frightening but also ridiculous times, as does the plaster artificiality of Rae Smith’s set and the occasional breaking of the fourth wall.
Diese Geschichte stammt aus der September 26, 2024-Ausgabe von The London Standard.
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Diese Geschichte stammt aus der September 26, 2024-Ausgabe von The London Standard.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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I struggle with being recognised... I'll never really feel comfortable with it'
