The DJI Mavic 3 Pro has all the features of the Mavic 3, but it has three cameras mounted via a mechanically stabilised gimbal, instead of two. As with the Mavic 3 and Mavic 3 Classic, the Mavic 3 Pro’s main camera was developed in tandem with Hasselblad and has a 20MP Four Thirds type sensor fronted by a 24mm equivalent lens. This is joined by a 48MP telephoto camera with an equivalent focal length of 70mm and a 1/1.3in type CMOS sensor, and a 12MP 166mm equivalent camera with a 1/2in type CMOS sensor.
While the main camera has a variable aperture and can be set in the range of f/2.8-f/11, the other two cameras have fixed apertures, f/2.8 with the 70mm and f/3.4 with 166mm camera. Fixed apertures are quite common in consumer drones, but they make a neutral-density filter essential for recording video.
Speaking of video, the Mavic 3 Pro’s main camera can shoot at a maximum resolution of 5.1K (5120x2700) at 24/25/30/ 48/50fps, in either MP4 or MOV (MPEG-4 AVC/H.264, HEVC/H.265) format, and at bit rates up to 200Mbps. Switching to either of the other cameras drops the maximum resolution to 4K (3840x2160) at up to 60fps and 160Mbps. The Hasselblad camera can also shoot DCI 4K (4096x2160) or 4K (3840x2160) footage at up to 120fps, and Full HD (1920x1080) at up to 200fps in slow-motion mode.
By default, all three of the cameras record 8-bit 4:2:0 (H.264/H.265) colour, but the main and 70mm cameras can also record in D-Log, D-Log M or HLG enabling, 10-bit 4:2:0 colour.
Controllers
Diese Geschichte stammt aus der August 01, 2023-Ausgabe von Amateur Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der August 01, 2023-Ausgabe von Amateur Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Zanele Muholi
Visual activist Zanele Muholi's work is important and acclaimed. Back at the Tate after being cut short by lockdown, it's a must-see this year, says Amy Davies
KEKS KM-Q light meter
This tiny light meter is perfect for vintage film cameras, says Andy Westlake
Lensbaby Sweet 22
This wideangle pancake lens produces a central spot of sharp focus surrounded by dramatic blur. Angela Nicholson has had some fun with it
XCD Hasselblad 25mm F2.5 V
This ultra-wideangle lens is built for Hasselblad’s medium-format mirrorless cameras, such as the X2D 100C and 907X 100C. But how does it perform? Joshua Waller finds out
AF NIKKOR Film supremo
Interest in film photography is growing, and the Nikon F100 could be just the camera to help you explore it. John Gilbey explains why
Couple exposure
If shooting a wedding isn’t enough pressure, try adding film to the mix. Hollie Latham Hucker speaks to two wedding photographers who love capturing the celebrations of a big day with their analogue cameras
A vital insight
Overlooked for decades, the archive of one of Britain's greatest photographers is being brought together in a new book. Peter Dench finds out more
Film favourites
We spoke to the passionate Analogue Wonderland community to find out what their go-to films are and why they love shooting with this classic medium
Taking snapshots seriously
The humble snap can provide as much of an insight into time, place and culture as any award-winning war photograph or epic landscape. John Wade explains how and why
Expired? You're hired!
If the relatively high cost of film is putting you off analogue shooting, what about trying expired film? Miles MyerscoughHarris discusses the appeal of expired film with Geoff Harris (no relation)
