Wildlife photography is one of the medium’s most popular genres. In fact, we’re fascinated by images of animals of all kinds: from cute pet cats and dogs to the most extraordinary and exotic creatures found on Earth. Wildlife photography attracts big audiences, both online and in exhibitions, to marvel at both the animals themselves and the photographic skill, patience and natural history knowledge needed to capture visually spectacular images.
One high-profile example of the genre is the Wildlife Photographer of the Year competition, which celebrates its 60th anniversary in 2024. It now receives around 50,000 entries every year and the resulting exhibition is seen by millions of people as it tours the world. In parallel with our insatiable hunger for still images of wildlife, television documentaries such as the recent Planet Earth III and Blue Planet II are flourishing and reach vast audiences.
Paradoxically, our fascination for animals comes at a time when the world’s wildlife is under threat as never before, from a range of issues including deforestation and destruction of natural habitats, global warming and pollution. As Huw Lewis-Jones says in his new book, Why We Photograph Animals, ‘The desire to keep looking at animals is strong, even as they are disappearing in the wild… We are making more and more images of animals every year and yet animals are suffering on our planet as never before in human history.’
Diese Geschichte stammt aus der April 02, 2024-Ausgabe von Amateur Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der April 02, 2024-Ausgabe von Amateur Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.