If you were around when digital cameras first appeared on the market, you’ll also remember the advent of raw files. Alongside JPEGs and TIFFs, this option was not immediately well understood, but once it took hold in the minds of creative photographers using cameras like the pivotal Canon EOS 300D, it became a watchword for quality and versatility. People took courses in it, and pride in it – some even wore T-shirts.
And yet JPEG options still exist within your camera’s menu. Why? That’s what we’ll be looking at across these eight pages where seasoned pros and photography tutors explain the practical and personal benefits of the format.
Yes, for many purposes it seems, JPEG is still very much alive and kicking, and lots of the aspects of the format that were considered weaknesses can also be strengths. These files – compromised by compression perhaps – are therefore also smaller, quicker to use and more nimble to share. They can connect photographers to their art, giving an instant hit of creativity compared to the initially tepid look and lengthy processing of raws. They can be liberating.
And for those photographers who always insist on the safety net of raw, perhaps there are harsh questions that need to be asked, too: in an age of mirrorless tools like wysiwyg viewfinders, highlight clipping warnings and real-time histograms that make exposures a lot easier to perfect, are they as technically proficient as they need to be to get it right, ‘straight out of the tin’?
Nikon
Neil Freeman
Speed it up
Harnessing the benefits of JPEG can help increase shooting speed and make for a quicker, easier workflow, but you need to understand the drawbacks, too, says Neil Freeman...
Diese Geschichte stammt aus der June 13, 2023-Ausgabe von Amateur Photographer.
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Diese Geschichte stammt aus der June 13, 2023-Ausgabe von Amateur Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.