All a bit of a blur
Digital Photographer|Issue 255
Get to grips with AF and exposure to inject motion into your fast-paced action images
All a bit of a blur

For photographers, an out-of-focus or blurred shot is generally a bad thing. We combat this by using fast shutter speeds to stop camera shake when handholding and also aim to reduce the amount of subject blur. But for action shots where your subject is speeding past, such as an animal, car or a motorbike, slowing the shutter speed down and tracking the subject at the same rate at which it's travelling - a technique called panning - can achieve amazing results.

By tracking the motorbike at the same pace it's travelling while you press the shutter button, the bike and rider are pin-sharp but the background is transformed into an amazing rush of movement. This looks much more impressive than a perfectly sharp shot.

If your lens has multiple image stabilisation modes, be sure to use the one that only corrects for a shake on the vertical axis but not the horizontal axis, so it doesn't interfere with your horizontal panning action. To give yourself the best chance of catching a shot with the perfect balance of sharp subject and blurry background, activate your fastest drive mode. Here, we'll show you how it's done...

Diese Geschichte stammt aus der Issue 255-Ausgabe von Digital Photographer.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der Issue 255-Ausgabe von Digital Photographer.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS DIGITAL PHOTOGRAPHERAlle anzeigen
Sigma 28-105mm f/2.8 Art
Digital Photographer

Sigma 28-105mm f/2.8 Art

This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive

time-read
1 min  |
Issue 285
AstrHori 120mm f/2.8 Macro 2x
Digital Photographer

AstrHori 120mm f/2.8 Macro 2x

Matthew Richards finds out if double the magnification means couble the value

time-read
1 min  |
Issue 285
DxO PhotoLab 8 Elite
Digital Photographer

DxO PhotoLab 8 Elite

DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?

time-read
3 Minuten  |
Issue 285
Panasonic Lumix GH7
Digital Photographer

Panasonic Lumix GH7

Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat

time-read
3 Minuten  |
Issue 285
STORM CHASE
Digital Photographer

STORM CHASE

Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms

time-read
5 Minuten  |
Issue 285
PROTECT YOUR IMAGES FROM AI
Digital Photographer

PROTECT YOUR IMAGES FROM AI

Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission

time-read
4 Minuten  |
Issue 285
CREATE AI COMPOSITES
Digital Photographer

CREATE AI COMPOSITES

Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds

time-read
3 Minuten  |
Issue 285
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Digital Photographer

Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS

Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom

time-read
10+ Minuten  |
Issue 285
MASTER MINIMALISM
Digital Photographer

MASTER MINIMALISM

Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work

time-read
6 Minuten  |
Issue 285
LITTLE WONDERS
Digital Photographer

LITTLE WONDERS

Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents

time-read
8 Minuten  |
Issue 285